In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Sights - Henry McCausland
Deep state - Mathieu Desjardins
Rasclose - Geoffroy Mathieu
Fluent - Laëticia Donval
Entretiens – Jérôme Dupeyrat
Gros Gris n°4 - Duel
Un cahier - Michel Quarez
Assembly - Sam Porritt
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
The Shelf - Journal 3
Je ne peux pas ne pas - Geneviève Romang
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi 

























