In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

SKKS - Gilles Pourtier
Dernier royaume - Quentin Derouet
Critique & création - L.L. de Mars
La construction - Perrine Le Querrec
Piotr - Pierre Escot, Denis Lavant
Un cahier - Michel Quarez
Dear Paul - Paul Van der Eerden
Christina Forrer - Don’t Swallow Your Tongue
People in a faraday cage - Stéphanie Gygax
La traversée - Magali Brueder
Aristide n°4
Aurore Colbert - Marie Mons
Il est si difficile de trouver le commencement - Helen Thorington
Lili, la rozell et le marimba / revue n°2
À partir de n°1 - Coll.
Les soleils qui tournent ont des oreilles - coll.
Salt Crystal - Fabio Parizzi
ADBC du Dessin - Jacques Floret
A l'origine - Anne-Émilie-Philippe
Strates & Archipels - Pierre Merle
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
In The Navy - Julien Kedryna 

























