‘Mise en Pièces’ combines self-portraits of the artist with still lifes and images taken during cosmetic surgery.

We are confronted with fragmentary remains—objects of a luminous metamorphosis, supercharged by effects of contrast and brilliance. The photographer cuts, grabs, lifts and assembles. The “tearing apart” resembles a distortion of reality. We are all made of flesh, nerves, guts, bones and cartilages. But where descriptive monstrosity darkens, Lucile Boiron transfigures reality. By mastering the light, she presents the materials from their own point of view.
To those who would see only an aesthetic play on the body or an ironic commentary on modernity, Lucile Boiron challenges to oppose the desire to grasp images and materials independent of their cultural meanings
40 p.

Alma Mater n°1
Cuadernos - Henry Deletra
Le dos des choses - Guillaume Goutal
akaBB - tribute to Roni horn
Hello tomato - Marion Caron & Camille Trimardeau
Dark optics - David Claerbout
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Je ne peux pas ne pas - Geneviève Romang
Ludmilla Cerveny - Work
Denver Mosaic 1961 - René Heyvaert
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Critique & création - L.L. de Mars
Le vieux père - Laurent Kropf
Grilles - Zelda Mauger
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Holy etc. - Fabienne Radi
Pectus Excavatum - Quentin Yvelin
Watch out - Anne-Émilie-Philippe
Photographic Fields - Joël Van Audenhaege
Atopoz - Collectif
In The Navy - Julien Kedryna
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Il était deux fois - Gary Colin
L’intérêt à agir. Quand l’art s’inquiète du droit des étrangers et du droit d’auteur - Coll.
Délié - Baptiste Oberson
La traversée - Magali Brueder
Le dernier homme - Johann Rivat
Le blanc nez - Fouss Daniel 

























