‘Mise en Pièces’ combines self-portraits of the artist with still lifes and images taken during cosmetic surgery.

We are confronted with fragmentary remains—objects of a luminous metamorphosis, supercharged by effects of contrast and brilliance. The photographer cuts, grabs, lifts and assembles. The “tearing apart” resembles a distortion of reality. We are all made of flesh, nerves, guts, bones and cartilages. But where descriptive monstrosity darkens, Lucile Boiron transfigures reality. By mastering the light, she presents the materials from their own point of view.
To those who would see only an aesthetic play on the body or an ironic commentary on modernity, Lucile Boiron challenges to oppose the desire to grasp images and materials independent of their cultural meanings
40 p.

In The Navy - Julien Kedryna
Aurore Colbert - Marie Mons
Imagos - Noémie Lothe
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Aristide n°4
Email Diamant - Fabienne Radi
Escape - Makiko Minowa
Le chateau enchanté - Atelier Mclane
Le vieux père - Laurent Kropf
Mökki n°4
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Tchat - Gary Colin
SKKS - Gilles Pourtier
Il était deux fois - Gary Colin
Graphzine Visages
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Dédale - Laurent Chardon
America - Ayline Olukman, Hélène Gaudy
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Watch out - Anne-Émilie-Philippe
The Shelf - Journal 3
Eros negro n°4 - Démoniak
It was a good day - Jeremy Le Corvaisier
Roven n°5
Du Fennec au Sahara - Guillaume Pinard
Après la révolution – numéro 1
Alma Mater n°1
La construction - Perrine Le Querrec
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Papier magazine n°06 - Coupe du monde
Le blanc nez - Fouss Daniel
Titanic Orchestra - Julien Mauve
Tableaux fluo - 2013-2016 - Nina Childress
Rasclose - Geoffroy Mathieu 

























