In her new book, Mina Fina continues to explore the themes of representation of the female body. Through her interventions to the images from old erotic magazines, she questions the normatives of body acceptance and places it into abstract compositions that are half drawings, half collages.

36 pages
210×297 mm
Saddle-stitched, risograph, black ink
Covers printed on a shiny Mirror silver 300g paper

Sans titre - Benjamin Hartmann
Roven n°5
本の本の本 - antoine lefebvre editions,
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Halfgrijs - Coll.
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
10 MINUTES Architects and Designers in Conversation
Saint Julien l'hospitalier Tome 2 - Claire Pedot
All Wet - Maryin Winter
L'œuvre des matières - Ivry Serres
Burning Images, A History of Effigy Protests - Florian Göttke
interférence - 3 - maycec
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Artzines #12 Provo Special
À partir de n°1 - Coll.
Handbook. Alternate edition - Marie Quéau
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Délié - Baptiste Oberson
Editer l’art – Leszek Brogowski
Prototype 02 - morcellement
Critique d'art n°56
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
De lave et de fer - Laurent Feynerou
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
People in a faraday cage - Stéphanie Gygax
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
movement in squares - Stefanie Leinhos 









