‘Miss Cox (Nude – Arising from the Ground)’ is a many-sided artistic translation of artist Mariken Wessels’ fascination for an anonymous woman who had posed for Eadweard Muybridge’s camera in 1885. In the 24-image sequence ‘Arising from the Ground’ (plate 286) the obese woman, who was supposedly named Miss Cox, can be traced from lying down to a full upright position. Affected by her appearance, Wessels began to make large clay sculptures and to photograph obese female models swimming underwater. In these photographs Wessels focuses on the landscapes which a body assumes impressed by water. Besides the underwater series and photographic views of the sculptures, ‘Miss Cox’ also contains studio views including sketches and other research materials.

23 x 29 cm / 64 pages / colour/ softcover

Critique & création - L.L. de Mars
(page 1 et 17) - Lorraine Druon
In The Navy - Julien Kedryna
Tupera Tupera Postcard Book
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Tomber dans l'escalier - Jasper Sebastian Stürup
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Turlupin N°1 \ Soumission — Michael Dans
L'inventaire des destructions - Éric Watier
Le dos des choses - Guillaume Goutal
Le vieux père - Laurent Kropf
Strates & Archipels - Pierre Merle
Jean-Jacques a dit - Angèle Douche
Titanic Orchestra - Julien Mauve
Gros Gris n°4 - Duel
Prose postérieure - Les commissaires anonymes
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Pectus Excavatum - Quentin Yvelin
16 x 421 - Lorraine Druon
Roven n°5
Imagos - Noémie Lothe
Le corps travesti - Michel Journiac
ICCMHW - Atelier Choque Le Goff
Échec et scotome - Jean Otth
Salt Crystal - Fabio Parizzi
Dédale - Laurent Chardon
Critique d'art n°54
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat 









































