Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


America - Ayline Olukman, Hélène Gaudy
Copy This Book - Eric Schrijver
Eros negro n°4 - Démoniak
Le vieux père - Laurent Kropf
Jardín de mi padre - Luis Carlos Tovar
Lavalse des tambours - Paul Rey
UPO 2 - J'aimerai être là - Xenia Naselou
Délié - Baptiste Oberson
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Sights - Henry McCausland
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Le corps travesti - Michel Journiac
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
akaBB - tribute to Roni horn
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
À partir de n°1 - Coll.
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Temps d'arrêt - Etienne Buyse
Eldorado maximum - Les commissaires anonymes
Dernier royaume - Quentin Derouet
ARTZINES #1, Paris issue
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Gros Gris n°4 - Duel
Piano - Joseph Charroy 









