Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Gros Gris n°4 - Duel
Le chateau enchanté - Atelier Mclane
Fluent - Laëticia Donval
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
In The Navy - Julien Kedryna
Objets Minces - Collectif
Critique d'art n°55
Rasclose - Geoffroy Mathieu
The Shelf - Journal 3
16 x 421 - Lorraine Druon
ADBC du Dessin - Jacques Floret
Roven n°4
Délié - Baptiste Oberson
Eros Negro # 1 - Demoniak
Cyclone - Juliette Chalaye
twen [1959–1971]
akaBB - tribute to Roni horn
Piano - Joseph Charroy 









