Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Après la révolution – numéro 1
Habitante 2 - Coll.
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
The Book Fight - Chihoi
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Bambi # 4 - Collectif
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Débris N°2 - Théo Garnier Greuez
Regards croisés — Gekreutze Blicke - Yeloyolo
Le Parfum du Silence - Bonnie Colin
Teddy et le Grand Terrible - Orian Mariat.
Le chateau enchanté - Atelier Mclane
Underground graphic design archive Paris
Photographic Fields - Joël Van Audenhaege
Eldorado maximum - Les commissaires anonymes
Piano - Joseph Charroy 









