Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Eros negro #2 - Demoniak
In The Navy - Julien Kedryna
Ventoline 6 - Coll
Konrad Becker - Dictionnaire de réalité stratégique
Holy Mountain - Maia Matches, Knuckles & Notch
Paravents - Eva Taulois
Humoral Fortuities - Francesco Albano’s
Avec ce qu'il resterait à dire - Anne Maurel
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Le chateau enchanté - Atelier Mclane
De lave et de fer - Laurent Feynerou
America - Ayline Olukman, Hélène Gaudy
Ellipse - Ismail Alaoui-Fdili
Retour d'y voir - n° 3 & 4 - Mamco
Hmm ! - C. de Trogoff
S ! Imperfect shapes, #38 - Baltic Comics Magazine
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Do insects play ? - Johanna Tagada Hoffbeck
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Radio-Art - Tetsuo Kogawa
Objets Minces - Collectif
akaBB - tribute to Roni horn 









