Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Les soleils qui tournent ont des oreilles - coll.
La Couleur du Geste - Héloïse Bariol
interférence - 3 - maycec
Piano - Joseph Charroy
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
ARTZINES #1, Paris issue
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Carnivore - Grow
Poster Tribune # 11
Cyclone - Juliette Chalaye
L’intérêt à agir. Quand l’art s’inquiète du droit des étrangers et du droit d’auteur - Coll.
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
akaBB - tribute to Roni horn
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Photographic Fields - Joël Van Audenhaege
Critique & création - L.L. de Mars
Les danseurs du Balajo - 2017-2018 - Carole Bellaïche
Les Mains sales - Collectif
Keywording (Post) Contemporary Art - Greta Rusttt
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Dédale - Laurent Chardon
Slanted 24 - Istanbul
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Link Human / Robot - Collectif dir. Emmanuelle Grangier 









