Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Modern Instances, The Craft of Photography - Stephen Shore
L'internationale modique (AND 3) - J-M. Bertoyas
La prise - Florian Javet
Il était deux fois - Gary Colin
A Home with no Roof - Sara De Brito Faustino
Der Erste Rotkehlchen - Le livre
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Jean-Jacques a dit - Angèle Douche
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Turbo Decompress - Coll.
La typographie des Penguin Classics - Andrew Barker
Good Company - Paul Van der Eerden
本の本の本 - antoine lefebvre editions,
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Editer l’art – Leszek Brogowski
Gros Gris n°4 - Duel
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Piano - Joseph Charroy
How Many - Nathalie Du Pasquier
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Buiding a wall - A book by Roméo Julien
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Pectus Excavatum - Quentin Yvelin
La grande surface de réparation - Gilles Pourtier
akaBB - tribute to Roni horn 









