Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Délié - Baptiste Oberson
Zoom Age - Julien Auregan
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Village - Julie Safirstein
Ellipse - Ismail Alaoui-Fdili
Le singe et le bijoux - Roxane Lumeret
À partir de n°1 - Coll.
ARTZINES #1, Paris issue
An artist - Malena Pizani
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Oxymores - Philippe Weisbecker
LSD n° 04 – A manga issue
Atopoz - Collectif
Ludmilla Cerveny - Work
Dernier royaume - Quentin Derouet
Le Parfum du Silence - Bonnie Colin
Photographic Fields - Joël Van Audenhaege
The Book Fight - Chihoi
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Le corps travesti - Michel Journiac 









