Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


ICCMHW - Atelier Choque Le Goff
La France de tête #04
Blaclywall by Sihab Baik - Claude Closky
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Burning Images, A History of Effigy Protests - Florian Göttke
Une goutte d'homme - Alice Dourlen
Marcel Proust en cinq minutes — Jackson B. Smith
Bacon le Cannibale - Perrine Le Querrec
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
Photographic Fields - Joël Van Audenhaege
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Eros negro n°4 - Démoniak
Philonimo - Le Lézard de Heidegger - Alice Brière-Haquet, Sophie Vissière
Good Company - Paul Van der Eerden
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Le corps travesti - Michel Journiac
Hérésie Étiologique - coll.
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
À partir de n°4 - Collectif
Wayfaring - Patrick Messina, André S. Labarthe 









