Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Good Company - Paul Van der Eerden
Dans la Lune - Fanette Mellier
Sans titre - Benjamin Hartmann
Photographic Fields - Joël Van Audenhaege
Darkest Night - Joel Van Audenhaege
Bruits - Emmanuel Madec
akaBB - tribute to Roni horn
Ilya Ehrenbourg - Et pourtant elle tourne
Holy etc. - Fabienne Radi
Strates - Else Bedoux
Zoom Age - Julien Auregan
Shanghai Cosmetic - Leslie Moquin 









