Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


In The Navy - Julien Kedryna
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Shanghai Cosmetic - Leslie Moquin
Mosaïque d'asphalte - Jack Torrance
Sans titre - Benjamin Hartmann
Good Company - Paul Van der Eerden
Konrad Becker - Dictionnaire de réalité stratégique
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Eros negro n°4 - Démoniak
Image Canoë - Jérémie Gindre
Talweg 6 - La distance
Modern Instances, The Craft of Photography - Stephen Shore
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
Zoom Age - Julien Auregan
The Book Fight - Chihoi
Strates & Archipels - Pierre Merle
Le blanc nez - Fouss Daniel
La France de tête #04
(page 1 et 17) - Lorraine Druon
Temps d'arrêt - Etienne Buyse 









