Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Aurore Colbert - Marie Mons
Soundtrack/s - Rosaire Appel
Wayfaring - Patrick Messina, André S. Labarthe
Un cahier - Michel Quarez
Aristide n°4
Jean-Jacques a dit - Angèle Douche
Dernier royaume - Quentin Derouet
本の本の本 - antoine lefebvre editions,
America - Ayline Olukman, Hélène Gaudy
Gruppen n°14 - Collectif
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Photographic Fields - Joël Van Audenhaege
Illusive prosody - Alex Beaurain
Ellipse - Ismail Alaoui-Fdili
Birds - Damien Poulain
Deep state - Mathieu Desjardins
Prose postérieure - Les commissaires anonymes
Watch out - Anne-Émilie-Philippe
Mosaïque d'asphalte - Jack Torrance
Dans la Lune - Fanette Mellier
Le corps travesti - Michel Journiac
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
16 x 421 - Lorraine Druon
Dear Paul - Paul Van der Eerden
People in a faraday cage - Stéphanie Gygax
Der Erste Rotkehlchen - Le livre
(page 1 et 17) - Lorraine Druon
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Pectus Excavatum - Quentin Yvelin 









