Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Marcel Proust en cinq minutes — Jackson B. Smith
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Teddy et le Grand Terrible - Orian Mariat.
16 x 421 - Lorraine Druon
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Une goutte d'homme - Alice Dourlen
Aristide n°4
Piano - Joseph Charroy
La traversée - Magali Brueder 









