Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Le blanc nez - Fouss Daniel
Der Erste Rotkehlchen - Le livre
Jardín de mi padre - Luis Carlos Tovar
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Flynn zine # 1 - Flynn Maria Bergmann
In The Navy - Julien Kedryna
Femme, Arabe et... Cinéaste - Heiny Srour
La France de tête #04
La traversée - Magali Brueder 









