Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Critique & création - L.L. de Mars
ARTZINES #1, Paris issue
Artzines #12 Provo Special
10 MINUTES Architects and Designers in Conversation
Atopoz - Collectif
Hello tomato - Marion Caron & Camille Trimardeau
Imagos - Noémie Lothe
Geographia - Christine Demias
A Home with no Roof - Sara De Brito Faustino
Christina Forrer - Don’t Swallow Your Tongue
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Blaclywall by Sihab Baik - Claude Closky
Karbone Magazine n°8 - Parasite
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Illusive prosody - Alex Beaurain 









