Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Jean-Jacques a dit - Angèle Douche
Sans titre - Benjamin Hartmann
Les Grands Ensembles - Léo Guy-Denarcy
Dans la Lune - Fanette Mellier
Catalogue Art Guys - That's painting productions, Bernard Brunon
Eros negro #2 - Demoniak
A l'origine - Anne-Émilie-Philippe
Le corps travesti - Michel Journiac
Gros Gris n°4 - Duel
Watch out - Anne-Émilie-Philippe
akaBB - tribute to Roni horn
(page 1 et 17) - Lorraine Druon
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Ventoline 5 - Coll.
Pectus Excavatum - Quentin Yvelin
Seoul Flowers & Trees - tribute to Lee Friedlander
Illusive prosody - Alex Beaurain 









