Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Critique d'art n°56
Gros Gris n°4 - Duel
Aurore Colbert - Marie Mons
Keywording (Post) Contemporary Art - Greta Rusttt
Konrad Becker - Dictionnaire de réalité stratégique
Le chateau enchanté - Atelier Mclane
De lave et de fer - Laurent Feynerou
Le singe et le bijoux - Roxane Lumeret
Farandole - Jérémie Fischer
Modern Instances, The Craft of Photography - Stephen Shore
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Holy Mountain - Païen
AARC – Alter Architecture Research Collective n° 01
Dear Paul - Paul Van der Eerden
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Mökki n°2
Aristide n°4
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Good Company - Paul Van der Eerden
Le dos des choses - Guillaume Goutal
Illusive prosody - Alex Beaurain 









