Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Sights - Henry McCausland
Konrad Becker - Dictionnaire de réalité stratégique
Gros Gris n°4 - Duel
Le corps travesti - Michel Journiac
Poèmes - Yvonne Rainer
Le chateau enchanté - Atelier Mclane
Lili, la rozell et le marimba / revue n°2
Bruits - Emmanuel Madec
Sans titre - Chris Kiss
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
UP8 — Pour une pédagogie de l'architecture
Je ne peux pas ne pas - Geneviève Romang
America - Ayline Olukman, Hélène Gaudy
À partir de n°3 - Collectif
Teddy et le Grand Terrible - Orian Mariat.
Pilote - Mathilde Sauzay
In The Navy - Julien Kedryna
Marcel Proust en cinq minutes — Jackson B. Smith
How to Become the Daughters of Darkness - Coll.
Illusive prosody - Alex Beaurain 









