Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


SKKS - Gilles Pourtier
Bambi # 4 - Collectif
Aurore Colbert - Marie Mons
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Le chateau enchanté - Atelier Mclane
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Rasclose - Geoffroy Mathieu
La construction - Perrine Le Querrec
Der Erste Rotkehlchen - Le livre
The Shelf - Journal 3
Un peu comme voir dans la nuit - Leif Elggren + CD
Paravents - Eva Taulois
MENU メニュー - Wataru Tominaga
Débris N°2 - Théo Garnier Greuez
Le laboratoire de fermentation - Ludovic Burel
Wayfaring - Patrick Messina, André S. Labarthe
America - Ayline Olukman, Hélène Gaudy
People in a faraday cage - Stéphanie Gygax
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Illusive prosody - Alex Beaurain 









