Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Objets Minces - Collectif
Mosaïque d'asphalte - Jack Torrance
Les glaciers - Lorraine Druon
MENU メニュー - Wataru Tominaga
How Many - Nathalie Du Pasquier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Seoul Flowers & Trees - tribute to Lee Friedlander
Good Company - Paul Van der Eerden
Editer l’art – Leszek Brogowski
Gros Gris n°4 - Duel
Aurore Colbert - Marie Mons
Délié - Baptiste Oberson
Photographic Fields - Joël Van Audenhaege 









