Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


akaBB - tribute to Roni horn
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Tomber dans l'escalier - Jasper Sebastian Stürup
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
Papier magazine n°06 - Coupe du monde
On the Soft Edge of Space - Marleen Sleeuwits
Sans titre - Benjamin Hartmann
Halfgrijs - Coll.
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Du Fennec au Sahara - Guillaume Pinard
Il était deux fois - Gary Colin
Entretiens – Jérôme Dupeyrat
Zoom Age - Julien Auregan
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Dans la Lune - Fanette Mellier
Photographic Fields - Joël Van Audenhaege 









