Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Critique & création - L.L. de Mars
Deep state - Mathieu Desjardins
Der Erste Rotkehlchen - Le livre
Tomber dans l'escalier - Jasper Sebastian Stürup
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Eros negro n°3 - Démoniak
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Dear Paul - Paul Van der Eerden
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
SKKS - Gilles Pourtier
Le corps travesti - Michel Journiac
Le blanc nez - Fouss Daniel 









