Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


interférence - 3 - maycec
Le Monde en situation - Vanessa Theodoropoulou
Atopoz - Collectif
УYY - Yelena Yemchuk
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Wayfaring - Patrick Messina, André S. Labarthe
Rasclose - Geoffroy Mathieu
Eros Negro # 1 - Demoniak
People in a faraday cage - Stéphanie Gygax
Mosaïque d'asphalte - Jack Torrance
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Comic Book (Untitled) - Stéphanie Leinhos
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Le chateau enchanté - Atelier Mclane
Le blanc nez - Fouss Daniel 









