Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Je ne peux pas ne pas - Geneviève Romang
Gros Gris n°4 - Duel
Rasclose - Geoffroy Mathieu
La traversée - Magali Brueder
Délié - Baptiste Oberson
Shanghai Cosmetic - Leslie Moquin
Piano - Joseph Charroy
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
In The Navy - Julien Kedryna
SKKS - Gilles Pourtier
Der Erste Rotkehlchen - Le livre
Les Grands Ensembles - Léo Guy-Denarcy
Seoul Flowers & Trees - tribute to Lee Friedlander
Aurore Colbert - Marie Mons
Un cahier - Michel Quarez
Un essai sur la typographie - Eric Gill
Illusive prosody - Alex Beaurain
Débris N°2 - Théo Garnier Greuez
La typographie des Penguin Classics - Andrew Barker
Alma Mater n°1
Tomber dans l'escalier - Jasper Sebastian Stürup
Wayfaring - Patrick Messina, André S. Labarthe
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon 









