Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Critique d'art n°56
twen [1959–1971]
Lili, la rozell et le marimba / revue n°2
Hmm ! - C. de Trogoff
Le dos des choses - Guillaume Goutal
Cyclone - Juliette Chalaye
Le Dépli - Loïc Largier
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Lavalse des tambours - Paul Rey
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Le style anthropocène - Philippe Rahm
Saint Julien l'hospitalier Tome 1 - Claire Pedot
akaBB - tribute to Roni horn
Klima Pages #2 — Somptueuses Résidences
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
ARTZINES #3 - Tokyo issue
SKKS - Gilles Pourtier
Critique & création - L.L. de Mars
La Typographie Moderne - Robin Kinross
In The Navy - Julien Kedryna
Seoul Flowers & Trees - tribute to Lee Friedlander
Artzines # 10 - Show & Tell #2 NY Special
Titanic Orchestra - Julien Mauve
A Home with no Roof - Sara De Brito Faustino
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Deep state - Mathieu Desjardins
Wayfaring - Patrick Messina, André S. Labarthe
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Entretiens – Jérôme Dupeyrat
Paysageur n°3 - Mobiles
Prose postérieure - Les commissaires anonymes
UP8 — Pour une pédagogie de l'architecture
Sans titre - Benjamin Hartmann
Citrus maxima xparadisi - coll.
America - Ayline Olukman, Hélène Gaudy 









