Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le corps travesti - Michel Journiac
Eldorado maximum - Les commissaires anonymes
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Red Horse - Sasha Kurmaz
In The Navy - Julien Kedryna
L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Machiavel chez les babouins - Tim Ingold
Grilles - Zelda Mauger
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Avec ce qu'il resterait à dire - Anne Maurel
Ar(t)chitectures situées - Étienne Delprat
Critique d'art n°55
Good Company - Paul Van der Eerden
ICCMHW - Atelier Choque Le Goff
Fluent - Laëticia Donval 









