Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Critique & création - L.L. de Mars
fig. #6 - antithèse
Hérésie Étiologique - coll.
Le chateau enchanté - Atelier Mclane
Le corps travesti - Michel Journiac
Holy Mountain - Maia Matches, Knuckles & Notch
Imagos - Noémie Lothe
Gros Gris n°4 - Duel
SKKS - Gilles Pourtier
Délié - Baptiste Oberson
Eros negro #2 - Demoniak
Dédale - Laurent Chardon 









