Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Mökki n°2
Je ne peux pas ne pas - Geneviève Romang
Le dos des choses - Guillaume Goutal
Piano - Joseph Charroy
Dear Paul - Paul Van der Eerden
Deep state - Mathieu Desjardins
Critique d'art n°55
Parataxes + CD - Michael Gendreau
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Le singe et le bijoux - Roxane Lumeret
Comic Book (Untitled) - Stéphanie Leinhos
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Hérésie Étiologique - coll.
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Do insects play ? - Johanna Tagada Hoffbeck
Une goutte d'homme - Alice Dourlen
Imagos - Noémie Lothe
In The Navy - Julien Kedryna 









