Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Zoom Age - Julien Auregan
Saveurs imprévues et secrètes - Gilbert Lascault
Musée des Beaux-Arts - Pierre Martel
L'inventaire des destructions - Éric Watier
SKKS - Gilles Pourtier
De lave et de fer - Laurent Feynerou
Slanted 30 - Athens
Jawa Tengah Combo - Fred Maillard
Editer l’art – Leszek Brogowski
Mökki n°4
People in a faraday cage - Stéphanie Gygax
Dans la Lune - Fanette Mellier
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Aurore Colbert - Marie Mons
Karbone Magazine n°8 - Parasite
The Shelf - Journal 3
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Piano - Joseph Charroy 






















