Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

Science of the secondary #11 - Banana
Titanic Orchestra - Julien Mauve
Photographic Fields - Joël Van Audenhaege
Dernier royaume - Quentin Derouet
Le dernier homme - Johann Rivat
Optical Sound 3
America - Ayline Olukman, Hélène Gaudy
Lavalse des tambours - Paul Rey
Dédale - Laurent Chardon
Klima Pages #2 — Somptueuses Résidences
Le blanc nez - Fouss Daniel
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
movement in squares - Stefanie Leinhos
Sights - Henry McCausland
The life of Ruben - Bernardo Sousa Santos
Tools #04 – Couper / To Cut
Seoul Flowers & Trees - tribute to Lee Friedlander 






















