Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

Critique & création - L.L. de Mars
Zoom Age - Julien Auregan
Le singe et le bijoux - Roxane Lumeret
Mökki n°4
Pénurie - Zivo, Jérôme Meizoz
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Buiding a wall - A book by Roméo Julien
Aube - Caroline Bachmann
Critique d'art n°56
Photographic Fields - Joël Van Audenhaege
Holy Mountain - Maia Matches, Knuckles & Notch
Le dos des choses - Guillaume Goutal
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Tomber dans l'escalier - Jasper Sebastian Stürup
Le style anthropocène - Philippe Rahm
Entretiens – Jérôme Dupeyrat
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Étrangement seuls - Jean-Pascal Princiaux
Le déclin du professeur de tennis - Fabienne Radi
Pectus Excavatum - Quentin Yvelin 






















