Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Sillo n°3 - Le Fauve
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Good Company - Paul Van der Eerden
À partir de n°1 - Coll.
Buiding a wall - A book by Roméo Julien
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Seoul Flowers & Trees - tribute to Lee Friedlander
Victor Papanek - Design pour un monde réel
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Deep state - Mathieu Desjardins
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Jířa - Lucie Lučanská
SKKS - Gilles Pourtier 






















