In the wake of the Second World War, aiming to occupy the children rampaging streets and parks, the City of Amsterdam founded Jongensland, a space where boys (and the occasional, officially disallowed girl) could play, build, create, and destroy, largely without supervision. Located on an island accessible only by rowboat, Jongensland grew into a sprawling settlement built experimentally from scrap materials by its young inhabitants. Here, children would cook food, raise animals, build fires, and trade with each other. Without adult intervention, they relied on shared resourcefulness and collaborative ingenuity.

In 1969, when the architectural photographer Ursula Schulz-Dornburg moved to Düsseldorf with her two young children, she discovered Jongensland the other side of the border from Germany’s strictly regulated playgrounds. Fascinated by the improvised buildings where her children would play, she made extensive photographs capturing them being constructed, used, demolished, and reshaped. Her images capture an intuitive architectural intelligence and capture a genre of vernacular construction with its own conventions and innovations, one which illuminates the role of imagination in defining a building’s identity and purpose.
This book presents Schulz-Dornburg’s largely unseen series alongside an extended alongside an extended essay by architectural historian Tom Wilkinson reflecting on the architectural themes and lessons Jongensland continues to offer.

Le Monde en situation - Vanessa Theodoropoulou
Fausse Maîtresse - C. de Trogoff
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Gruppen n°13 - Collectif
The Letter A looks like The Eiffel Tower - Paul Andali
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Le corps travesti - Michel Journiac
Un peu comme voir dans la nuit - Leif Elggren + CD
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Brush Master - Jasper "Mississippi" Travis
L'inventaire des destructions - Éric Watier
Radio-Art - Tetsuo Kogawa
Talweg 6 - La distance
Gros Gris n°4 - Duel
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Pectus Excavatum - Quentin Yvelin
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Optical Sound 3
Polyphème (d'après Euripide) - J. & E. LeGlatin
Photographic Fields - Joël Van Audenhaege
Temps d'arrêt - Etienne Buyse
It was a good day - Jeremy Le Corvaisier
Slanted 30 - Athens
Comic Book (Untitled) - Stéphanie Leinhos
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
interférence - 3 - maycec
À partir de n°1 - Coll.
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
America - Ayline Olukman, Hélène Gaudy
Denver Mosaic 1961 - René Heyvaert
Halogénure #04
Eros negro n°4 - Démoniak
Burning Images, A History of Effigy Protests - Florian Göttke
Image Canoë - Jérémie Gindre
Critique & création - L.L. de Mars
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
Retour d'y voir - n° 3 & 4 - Mamco
La prise - Florian Javet
Aurore Colbert - Marie Mons
Habitante 2 - Coll.
Entretiens – Jérôme Dupeyrat
Titanic Orchestra - Julien Mauve
Hmm ! - C. de Trogoff
Red Horse - Sasha Kurmaz
Deep state - Mathieu Desjardins
Eros Negro # 1 - Demoniak
Aristide n°4
Publication Revue N°1
Strates & Archipels - Pierre Merle
Konrad Becker - Dictionnaire de réalité stratégique
Il était deux fois - Gary Colin
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
The Shelf - Journal 3
Der Erste Rotkehlchen - Le livre
De tels baisers - Jul Gordon
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Editer l’art – Leszek Brogowski
La mémoire en acte - Quarente ans de création musicale
Pour une esthétique de l'émancipation - Isabelle Alfonsi
La traversée - Magali Brueder
L'œuvre des matières - Ivry Serres
Inframince et hyperlié - Philippe Lipcare
Le vieux père - Laurent Kropf
Piano - Joseph Charroy 



















