Graphic Design Is (…) Not Innocent questions ingrained approaches, values and assumptions of graphic design in globalized societies. The publication aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in/excluding? What does it bring about? When defining the role and impact of visual communication, what future questions lie ahead?

Graphic Design Is (…) Not Innocent combines case studies and academic reflections, trying to sketch a common ground for basic research into the parameters and value systems of graphic design. It is a road trip between various possible conceptual challenges and praxis. It is a temporal inventory, without the claim of completeness. It is a question mark, as well as an exclamation mark. And it wants to stimulate critical thinking in graphic design.

IRL - In real life n°1 - Coll.
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Entretiens – Jérôme Dupeyrat
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Optical Sound 3
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Dark optics - David Claerbout
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Avec ce qu'il resterait à dire - Anne Maurel
Le Patou, la pomme et son jus - Robin Garnier-Wenisch
本の本の本 - antoine lefebvre editions,
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro
An artist - Malena Pizani
Mourn Baby Mourn - Katerina Andreou
Burning Images, A History of Effigy Protests - Florian Göttke 













