Graphic Design Is (…) Not Innocent questions ingrained approaches, values and assumptions of graphic design in globalized societies. The publication aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in/excluding? What does it bring about? When defining the role and impact of visual communication, what future questions lie ahead?

Graphic Design Is (…) Not Innocent combines case studies and academic reflections, trying to sketch a common ground for basic research into the parameters and value systems of graphic design. It is a road trip between various possible conceptual challenges and praxis. It is a temporal inventory, without the claim of completeness. It is a question mark, as well as an exclamation mark. And it wants to stimulate critical thinking in graphic design.

L'inventaire des destructions - Éric Watier
Habitante 2 - Coll.
Le vieux père - Laurent Kropf
Planning - Pierre Escot
Norovirus - Orgie en mers chaudes - Claude Grétillat
Sillo n°3 - Le Fauve
La construction - Perrine Le Querrec
Optical Sound 3
Pectus Excavatum - Quentin Yvelin
Aurore Colbert - Marie Mons
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Véhicule N°7 - Collectif
Poster Tribune # 11
Incipit - Aymeric Vergnon
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Ludmilla Cerveny - Work
UP8 — Pour une pédagogie de l'architecture
Entretiens – Jérôme Dupeyrat 













