‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin, arise where art approaches, develops or transforms into activism and vice versa, where activisms become artivisms. In both, art emerges in differing forms of political intervention, at both an individual, shared or collective level, apparent in actions, events, identifications and practices.
This volume wants to reveal the diversity of these practices and realities. Representing a range of critical insights, perspectives and practices from artists, activists, curators, academics and writers, it explores and reflects on the enormous variety of feminist interventions in the field of contemporary art, social processes, the public sphere and politics. In doing so, Feminist Art Activisms and Artivisms touches upon broader questions of cultural difference, history, class, economic position, ecology, politics, sexual orientation, and the ways in which these intersect.

Richly illustrated with c. 300 black and white illustrations and photos.
This is the first volume in the new PLURAL series. The series focuses on how the intersections between identity, power, representation and emancipation, play out in the arts and in cultural practices. The volumes in this series aim to do justice to the plurality of voices, experiences and perspectives in society and in the arts and to address the history and present and future meaning of these positions and their interrelations. PLURAL brings together new and critical insights from artists, arts professionals, activists, cultural and social researchers, journalists and theorists.
Editor: Katy Deepwell
Contributors: Linda Aloysius, Marissa Begonia, Sreyashi Tinni Bhattacharyya, Marisa Carnesky, Paula Chambers, Amy Charlesworth, Emma Curd, Katy Deepwell, Tal Dekel, Emma Dick, Lior Elefant, Christine Eyene, Abbe Leigh Fletcher, GraceGraceGrace, Alana Jelinek, Sonja van Kerkhoff, Alexandra Kokoli, Elke Krasny, Loraine Leeson, Laura Malacart, Rosy Martin, Alice Maude-Roxby, Kathleen Mullaniff, Louise O’Hare, Tanja Ostojić, Martina Pachmanová, Gill Park, Pune Parsafar, Roxane Permar, Anne Robinson, Stefanie Seibold, Pam Skelton, Mare Tralla, Christina Vasileiou, Camille Melissa Waring, Michelle Williams Gamaker, Virginia Yiqing Yang
Design: Lotta Lara Schröder
Series: PLURAL
Valiz, supported by Prins Bernhard Cultuurfonds and Middlesex University London| paperback | 448 pp. | 24 x 16,8 cm (h x w) | Engish

Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Cuadernos - Henry Deletra
Étrangement seuls - Jean-Pascal Princiaux
Critique d'art n°56
Prose postérieure - Les commissaires anonymes
Dans la Lune - Fanette Mellier
People in a faraday cage - Stéphanie Gygax
š! #39 'The End' - coll.
Photographic Fields - Joël Van Audenhaege
La traversée - Magali Brueder
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
akaBB - tribute to Roni horn
Introduction à l'esthétique - Nakai Masakazu
Artzines # 10 - Show & Tell #2 NY Special
SKKS - Gilles Pourtier
À partir de n°4 - Collectif
MENU メニュー - Wataru Tominaga
Holy Mountain - Maia Matches, Knuckles & Notch
Zoom Age - Julien Auregan
Strates & Archipels - Pierre Merle
Mosaïque d'asphalte - Jack Torrance
It was a good day - Jeremy Le Corvaisier
Les voiles de Sainte-Marthe - Christian Rosset
Les Grands Ensembles - Léo Guy-Denarcy
À partir de n°1 - Coll.
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Mökki n°4
9 octobre 1977 - Roberto Varlez
Critique d'art n°55
Saveurs imprévues et secrètes - Gilbert Lascault
Turbo Decompress - Coll.
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Spécimen Typographique : No Ko - Loris Pernoux
How Many - Nathalie Du Pasquier
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
fig. #6 - antithèse
Vacuité 9090 - Jérémy Piningre
Collective Design : Alison & Peter Smithson
Je ne peux pas ne pas - Geneviève Romang
Mökki n°2
Aurore Colbert - Marie Mons
Awakening at the inn of the birds - Aymeric Vergnon
Temps d'arrêt - Etienne Buyse
Oraison funèbre pour Zelda1990 - Romane Constant
Keywording (Post) Contemporary Art - Greta Rusttt
Sillo n°3 - Le Fauve
Wayfaring - Patrick Messina, André S. Labarthe
Good Company - Paul Van der Eerden
Flynn zine # 1 - Flynn Maria Bergmann
Pilote - Mathilde Sauzay
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Ar(t)chitectures situées - Étienne Delprat
Dernier royaume - Quentin Derouet
Der Erste Rotkehlchen - Le livre
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Dédale - Laurent Chardon
Illusive prosody - Alex Beaurain
Migrant Mother, Migrant Gender - Sally Stein
Dear Paul - Paul Van der Eerden
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Optical Sound 3 











