‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin, arise where art approaches, develops or transforms into activism and vice versa, where activisms become artivisms. In both, art emerges in differing forms of political intervention, at both an individual, shared or collective level, apparent in actions, events, identifications and practices.
This volume wants to reveal the diversity of these practices and realities. Representing a range of critical insights, perspectives and practices from artists, activists, curators, academics and writers, it explores and reflects on the enormous variety of feminist interventions in the field of contemporary art, social processes, the public sphere and politics. In doing so, Feminist Art Activisms and Artivisms touches upon broader questions of cultural difference, history, class, economic position, ecology, politics, sexual orientation, and the ways in which these intersect.

Richly illustrated with c. 300 black and white illustrations and photos.
This is the first volume in the new PLURAL series. The series focuses on how the intersections between identity, power, representation and emancipation, play out in the arts and in cultural practices. The volumes in this series aim to do justice to the plurality of voices, experiences and perspectives in society and in the arts and to address the history and present and future meaning of these positions and their interrelations. PLURAL brings together new and critical insights from artists, arts professionals, activists, cultural and social researchers, journalists and theorists.
Editor: Katy Deepwell
Contributors: Linda Aloysius, Marissa Begonia, Sreyashi Tinni Bhattacharyya, Marisa Carnesky, Paula Chambers, Amy Charlesworth, Emma Curd, Katy Deepwell, Tal Dekel, Emma Dick, Lior Elefant, Christine Eyene, Abbe Leigh Fletcher, GraceGraceGrace, Alana Jelinek, Sonja van Kerkhoff, Alexandra Kokoli, Elke Krasny, Loraine Leeson, Laura Malacart, Rosy Martin, Alice Maude-Roxby, Kathleen Mullaniff, Louise O’Hare, Tanja Ostojić, Martina Pachmanová, Gill Park, Pune Parsafar, Roxane Permar, Anne Robinson, Stefanie Seibold, Pam Skelton, Mare Tralla, Christina Vasileiou, Camille Melissa Waring, Michelle Williams Gamaker, Virginia Yiqing Yang
Design: Lotta Lara Schröder
Series: PLURAL
Valiz, supported by Prins Bernhard Cultuurfonds and Middlesex University London| paperback | 448 pp. | 24 x 16,8 cm (h x w) | Engish

To Be Determined: Photography and the Future - Duncan Wooldridge
On the Soft Edge of Space - Marleen Sleeuwits
Aristide n°4
Anémochorie - Antonin Detemple
Graphzine Visages
Hiver sur les continents cernés - F.J. OSSANG
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
interférence - 2 - maycec
Ce que l'histoire fait au graphisme - Clémence Imbert
Janitor of Lunacy - Bryan Campbell
Hobo Nickel - Damien Sauvage
Holy Mountain - Maia Matches, Knuckles & Notch
Tomber dans l'escalier - Jasper Sebastian Stürup
Burning Images, A History of Effigy Protests - Florian Göttke
Do insects play ? - Johanna Tagada Hoffbeck
Boundary - Nigel Peake
Délié - Baptiste Oberson
Un essai sur la typographie - Eric Gill
Lisa Zordan . one-shot the end
Manuel pour formes et constructions nomades - Julien Rodriguez
A l'origine - Anne-Émilie-Philippe
Radio-Art - Tetsuo Kogawa
Keywording (Post) Contemporary Art - Greta Rusttt 











