
The establishment of a large number of small independent publishing houses fifteen years ago led to a revival of risography. Artists and designers from all over the world have installed a “Riso” in their studios to produce small print runs inexpensively and independently of large printing houses. Smaller publishers in Latin America still print exclusively on the Risograph on grounds of cost. The primitive stencil printing process has a huge colour spectrum and creates an interesting optical effect by means of spot colours and coarse screening, which gives the result a homemade look. In the book, factors like colour, paper, file preparation, printing, and processing are explained. Exploriso appears in the first year of the Discovered series.
214 pp.
101 black-white and 32 colour illustrations
thread-stitching with inserted adhesive binding as book-in-book

Sans titre - Benjamin Hartmann
Fluent - Laëticia Donval
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Après la révolution – numéro 1
Talweg 6 - La distance
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
The Shelf - Journal 3
RISO L’Écureuil de James - Liuna Virardi
Dernier royaume - Quentin Derouet
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Gros Gris n°4 - Duel
Pénurie - Zivo, Jérôme Meizoz
Objets Minces - Collectif
Dark optics - David Claerbout
本の本の本 - antoine lefebvre editions,
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Alma Mater n°1
Brush Master - Jasper "Mississippi" Travis
Photographic Fields - Joël Van Audenhaege
Pectus Excavatum - Quentin Yvelin
A l'origine - Anne-Émilie-Philippe
Temps d'arrêt - Etienne Buyse
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
No Go Zone n°1 Canal Saint-Denis
Le blanc nez - Fouss Daniel
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis 



























