In Digital Underground Vol. 1, editor and art director Vincent Tavano reflects on the new approach to the discipline of digital design and its impact on the over all world of graphics.

Artists have always given birth to movements; Cubism, Dadaism, Pop art, Brutalism, movements that marked their era and forever influenced the world of art. The 21st century and the advent of the digital medium have also drawn the framework of a new creative practice, digital design. The internet is a limitless playground, an interactive platform where text, image, sound, and video intermingle in an open virtual environment.
In recent years, Vincent Tavano has seen the invisible formation of an avant-garde artistic circle, with its codes, its style, and an ultra-modern approach to the discipline. Sometimes funny, futuristic, experimental, brutalist, or unexpected, this book offers a compilation of references from websites that Tavano has selected for their aesthetic sensitivity and their cultural root. A publication that also questions the key players of this “nouvelle vague” about their approach and vision of this new era in graphics. A written record of a new generation of thinkers working behind the “screens.”
Featuring Bureau Cool, DVTK, Ezra Miller, International Magic, Selam X Studio, Studio Moniker, Yehwan Song, Zach Lieberman, etc.. Foreword by Marc Kremers from Future Corp.
Digital Underground Vol. 1
Editor: Vincent Tavano
Format: 11.5 x 17 cm
Volume: 256 pages
Edition: limited to 300 copies

Roven n°4
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Guten Tag - Pablo Tomek
Prélude - Julien Gobled
Les Cosmogoniales - Hyacinthus
Underground graphic design archive Paris
"Maria ! I've just drawn a girl named Maria..."
Retraite - Arnaud Idelon
Cuadernos - Henry Deletra
Plant-Based Monster Trucks - Lina Müller, Luca Schenardi
IBM – Graphic Design Guide from 1969 to 1987
GENUINE OCCIPUT DATA - Hector Mosko
Konrad Becker - Dictionnaire de réalité stratégique
L’île de Reil - Karine Portal
Delete Instagram - Brad Phillips
Barrage de Sarrans - Sandrine Marc
Anderlecht — Molenbeek - Pierre Blondel
Après la révolution – numéro 1
Crampes pâles... Mathilde Brion et Martin Lafaye
Une goutte d'homme - Alice Dourlen
Polyphème (d'après Euripide) - J. & E. LeGlatin
Land Dyke(s) - Oregon Lesbian Lands - Louise Toth
A l'origine - Anne-Émilie-Philippe
Génération dakou - Yann Jun + CD
Tools n° 05 – Tourner
It was a good day - Jeremy Le Corvaisier
Tempête après tempête - Rebekka Deubner
Sous mes semelles - Anaïs Lapel, Gaspard Kasimir
Drug Dealer Bags Vol.3 NYC - Hector Mosko
Critique d'art n°54
Temps d'arrêt - Etienne Buyse
Entrez sans sonnet - Julie Redon
Home Cinema - Sarah-Louise Barbett
Titanic Orchestra - Julien Mauve
Tupera Tupera Postcard Book
Saint Julien l'hospitalier Tome 1 - Claire Pedot
La Ciudad del Sol - Julia Ramírez-Blanco
Zoom Age - Julien Auregan
AMONG THE TREES - LIVIA DE MAGISTRIS
Sex with you s**** - Melody Lu
Bokkusu - Nigel Peake
Spécimen Typographique : No Ko - Loris Pernoux
S ! Imperfect shapes, #38 - Baltic Comics Magazine
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Triptyque - Ronan Bouroullec
16 x 421 - Lorraine Druon
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Un essai sur la typographie - Eric Gill
Mökki n°4
Der Erste Rotkehlchen - Le livre
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Strates - Else Bedoux
Bambi # 4 - Collectif
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Prose postérieure - Les commissaires anonymes
Platteland - Simon Vansteenwinckel
Wayfaring - Patrick Messina, André S. Labarthe
Filtr N°1 - coll.
Replacement Artwork - Alexandre Barré
Graphic Design Is (…) Not Innocent - Ingo Offermanns 









