The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), founded in North Carolina in 1933, made it one of the most innovative schools in the first half of the twentieth century. Visual arts, economics, physics, dance, architecture, and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first rector of the school was John Andrew Rice, and Josef Albers, John Cage, Walter Gropius, and Buckminster Fuller were among the many adepts to give courses here. In consequence, BMC witnessed the development of a range of avant-garde concepts. This richly illustrated book appears in conjunction with the Black Mountain exhibition. It is the first comprehensive publication on BMC in the German-speaking world and traces the key moments in the history of this legendary school.

Text: Gabriele Brandstetter, Brenda Danilowitz, Arnold Dreyblatt, Fabienne Eggelhöfer, Matilda Felix, Mary Emma Harris, Gabriele Knapstein, Annette Jael Lehmann, Catherine Nichols, Andi Schoon, Craig Schuftan, Alice Sebrell

interférence - 3 - maycec
9 octobre 1977 - Roberto Varlez
Prose postérieure - Les commissaires anonymes
Le lacéré anonyme - Jacques Villeglé
Autodrône - Divine Vizion
Cuadernos - Henry Deletra
Lavori in corso - Florence Cats & Joseph Charroy
Keywording (Post) Contemporary Art - Greta Rusttt
Bambi # 4 - Collectif
Harry Thaler's Pressed Chair
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Optical Sound 2
Artzines # 10 - Show & Tell #2 NY Special
Dear Paul - Paul Van der Eerden
Eldorado maximum - Les commissaires anonymes
Ar(t)chitectures situées - Étienne Delprat
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras 

















