In the context of ARTZINES and my on-going
research about zines made by artists, it was very
important to meet Gee Vaucher to talk about
International Anthem, the zine that she started
making in New York in 1977, but also about the
work that she did during the Crass years. Somehow,
she seems to get bored answering over and over
the same questions about works she did for Crass
more than 30 years ago, and she seems much more
interested to talk about more recent works, like the
painting series Children Who Have Seen Too Much
Too soon (2006), which better expresses her on-going
concerns. This issue attempts to show the different
facets of an artist that people always liked
to reduce to one work or one era. As her garden
and the house she has been living in for more than
50 years are a very important part of her life, the
images that compose this issue are split 50% for
her artworsk, and 50% of pictures of her garden
taken on the day of the interview.

ENGLISH

Deep state - Mathieu Desjardins
America - Ayline Olukman, Hélène Gaudy
Hiver sur les continents cernés - F.J. OSSANG
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Collective Design : Alison & Peter Smithson
Prose postérieure - Les commissaires anonymes
La Couleur du Geste - Héloïse Bariol
Editer l’art – Leszek Brogowski
Menus Plaisirs - Lisa Mouchet
Gros Gris n°4 - Duel
Slanted 24 - Istanbul
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Collage - Laura McMorrow
Les oiseaux - Lola Raban, Jean-René Etienne
Slikmiks - Mikkel Sommer / Mekl
Konrad Becker - Dictionnaire de réalité stratégique
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro
On-off Tones - Anna Bergquist
Retour d'y voir - n° 1 & 2 - Mamco
Perturbations - Rosaire Appel
Lili, la rozell et le marimba / revue n°2 











