In the context of ARTZINES and my on-going
research about zines made by artists, it was very
important to meet Gee Vaucher to talk about
International Anthem, the zine that she started
making in New York in 1977, but also about the
work that she did during the Crass years. Somehow,
she seems to get bored answering over and over
the same questions about works she did for Crass
more than 30 years ago, and she seems much more
interested to talk about more recent works, like the
painting series Children Who Have Seen Too Much
Too soon (2006), which better expresses her on-going
concerns. This issue attempts to show the different
facets of an artist that people always liked
to reduce to one work or one era. As her garden
and the house she has been living in for more than
50 years are a very important part of her life, the
images that compose this issue are split 50% for
her artworsk, and 50% of pictures of her garden
taken on the day of the interview.

ENGLISH

interférence - 2 - maycec
Entretiens – Jérôme Dupeyrat
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Mapping Bookbinding Poster- Simon Ruault
Mercometal
Dédale - Laurent Chardon
Le chateau enchanté - Atelier Mclane
Pectus Excavatum - Quentin Yvelin
People in a faraday cage - Stéphanie Gygax
Critique d'art n°55
Benoit - Camille Potte
Humoral Fortuities - Francesco Albano’s
Zoom Age - Julien Auregan
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
La grande surface de réparation - Gilles Pourtier
Aurore Colbert - Marie Mons
Le Monde en situation - Vanessa Theodoropoulou
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Turbo Decompress - Coll.
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
La Vie moderne - Augustin Rebetez
Titanic Orchestra - Julien Mauve
本の本の本 - antoine lefebvre editions,
La traversée - Magali Brueder
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Le blanc nez - Fouss Daniel
Habitante 2 - Coll.
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier 











