This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Roven n°4
Mökki n°2
Retour d'y voir - n° 1 & 2 - Mamco
Vacuité 9090 - Jérémy Piningre
Gruppen n°13 - Collectif
SKKS - Gilles Pourtier
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Dernier royaume - Quentin Derouet
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Roven n°5
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Je ne peux pas ne pas - Geneviève Romang
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Humoral Fortuities - Francesco Albano’s
Pectus Excavatum - Quentin Yvelin
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Blaclywall by Sihab Baik - Claude Closky
Piano - Joseph Charroy
Gros Gris n°4 - Duel
akaBB - tribute to Roni horn
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Objets Minces - Collectif
Good Company - Paul Van der Eerden
Sans titre - Chris Kiss
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
The Shelf - Journal 3
Fluent - Laëticia Donval
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Les Mains sales - Collectif
A l'origine - Anne-Émilie-Philippe
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Shanghai Cosmetic - Leslie Moquin 















