This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Wayfaring - Patrick Messina, André S. Labarthe
Eros Negro # 1 - Demoniak
L'inventaire des destructions - Éric Watier
Dernier royaume - Quentin Derouet
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
interférence - 3 - maycec
Dédale - Laurent Chardon
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Watch out - Anne-Émilie-Philippe
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Je ne peux pas ne pas - Geneviève Romang
A l'origine - Anne-Émilie-Philippe
Un cheval, des silex - Benoît Maire, Sally Bonn
Sillo n°3 - Le Fauve
The Shelf - Journal 3
Hobo Nickel - Damien Sauvage
Prose postérieure - Les commissaires anonymes
Dans la Lune - Fanette Mellier
Promenade au pays de l'écriture - Armando Petrucci
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Triptyque - Ronan Bouroullec
Pectus Excavatum - Quentin Yvelin
Le chateau enchanté - Atelier Mclane
Shanghai Cosmetic - Leslie Moquin
Alma Mater n°1
Sans titre - Benjamin Hartmann
Deep state - Mathieu Desjardins
ARTZINES #1, Paris issue
Saint Julien l'hospitalier Tome 1 - Claire Pedot
La traversée - Magali Brueder
People in a faraday cage - Stéphanie Gygax
De lave et de fer - Laurent Feynerou
Il était deux fois - Gary Colin
Titanic Orchestra - Julien Mauve
Bambi # 4 - Collectif
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Jean-Jacques a dit - Angèle Douche
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
In The Navy - Julien Kedryna
Temps d'arrêt - Etienne Buyse 















