This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Les Grands Ensembles - Léo Guy-Denarcy
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
America - Ayline Olukman, Hélène Gaudy
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Wayfaring - Patrick Messina, André S. Labarthe
Le chateau enchanté - Atelier Mclane
Dear Paul - Paul Van der Eerden
Délié - Baptiste Oberson
Super Kiblind 3
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Aurore Colbert - Marie Mons
Papier magazine n°06 - Coupe du monde
Deep state - Mathieu Desjardins
Aristide n°4
Critique d'art n°54
Planning - Pierre Escot
Pectus Excavatum - Quentin Yvelin
Editer l’art – Leszek Brogowski
Diario de Plantas (2 volumes) - Gabriel Orozco
Cuadernos - Henry Deletra
Tools #04 – Couper / To Cut
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
It was a good day - Jeremy Le Corvaisier
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Roven n°4
Slow Down Abstractions - Adrien Vescovi
Gros Gris n°4 - Duel
Strates - Else Bedoux
Halogènure # 09
Dessins pour Rugir - Virginie Rochetti
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Tools n° 05 – Tourner
Alma Mater n°1
Trous gris - Michel Vachey
Lili, la rozell et le marimba / revue n°2
La tour Tatline - Georgi Stanishev
La France de tête #04
Piano - Joseph Charroy
Catalogue Art Guys - That's painting productions, Bernard Brunon
Hérésie Étiologique - coll.
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Le déclin du professeur de tennis - Fabienne Radi
La Vie moderne - Augustin Rebetez
Imagos - Noémie Lothe
Le lacéré anonyme - Jacques Villeglé
Umami - Ariane Vonmoos
Der Erste Rotkehlchen - Le livre
10 MINUTES Architects and Designers in Conversation
interférence - 3 - maycec
Halogénure #04
Saint Julien l'hospitalier Tome 1 - Claire Pedot 















