This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

Comic Book (Untitled) - Stéphanie Leinhos
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Cyclone - Juliette Chalaye
Piano - Joseph Charroy
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Dernier royaume - Quentin Derouet
Strates & Archipels - Pierre Merle
À partir de n°1 - Coll.
Roven n°5
Cuadernos - Henry Deletra
Délié - Baptiste Oberson
Talweg 6 - La distance
Citrus maxima xparadisi - coll.
Bisou Magique - Coll.
Rasclose - Geoffroy Mathieu
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Strates - Else Bedoux
Sights - Henry McCausland
Bambi # 4 - Collectif
the Ghost of Weaving - Coll.
Sillo n°3 - Le Fauve
Image Canoë - Jérémie Gindre
Good Company - Paul Van der Eerden
L'internationale modique (AND 3) - J-M. Bertoyas
Inframince et hyperlié - Philippe Lipcare
Objets Minces - Collectif
Atopoz - Collectif
People in a faraday cage - Stéphanie Gygax
Mosaïque d'asphalte - Jack Torrance
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Tomber dans l'escalier - Jasper Sebastian Stürup
Hideous - Thomas Perrodin, Néoine Pifer
La France de tête - Lot de 4 numéros
Der Erste Rotkehlchen - Le livre
Tchat - Gary Colin
Le chateau enchanté - Atelier Mclane
Illusive prosody - Alex Beaurain 















